Scholarship

A reading list for scholarship on the series

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Scholarship - Academic writing and journal articles

Anderson, D. L. (2019). “There is no return”: Twin Peaks and the horror of pleasure. In Make America Hate Again. Routledge.

Ballas, A. (2019). ‘My Log Has a Message for You,’ or, Vibrant Matter and Twin Peaks: On Thing-Power and Subjectivity. In A. Sanna (Ed.), Critical Essays on Twin Peaks: The Return (pp. 119–133). Springer International Publishing. https://doi.org/10.1007/978-3-030-04798-6_8

Barrett, K. (2017). Smashing the small screen: David Lynch, Twin Peaks and reinventing television (pp. 47–64). McFarland. Smashing the small screen: David Lynch, Twin Peaks and reinventing television

Bennett, W. W. (2021). Americana on the Internet: Listening to Twin Peaks. In Music in Twin Peaks. Routledge.

Berggren, C. (2021). Subverting Nostalgia in Twin Peaks: The Return - Resistance and the Television Revival. http://lup.lub.lu.se/student-papers/record/9050912

Birns, N. (1993). Telling Inside from Outside, or, Who ‘Really’ Killed Laura Palmer. Literature/Film Quarterly, 21(4), 277–286. JSTOR. http://www.jstor.org/stable/43798698

Blake, L. (2016). Trapped in the Hysterical Sublime: Twin Peaks, Postmodernism, and the Neoliberal Now. In J. A. Weinstock & C. Spooner (Eds.), Return to Twin Peaks: New Approaches to Materiality, Theory, and Genre on Television (pp. 229–245). Palgrave Macmillan US. https://doi.org/10.1007/978-1-137-55695-0_13

Britt, T. (2019). ‘Between Two Mysteries’: Intermediacy in Twin Peaks: The Return. In A. Sanna (Ed.), Critical Essays on Twin Peaks: The Return (pp. 107–118). Springer International Publishing. https://doi.org/10.1007/978-3-030-04798-6_7

Burningham, B. R. (2010). David Lynch and the Dulcineated world. Cervantes, 30(2), 33.

Burt, A. T. (2019). Is It the Wind in the Tall Trees or Just the Distant Buzz of Electricity?: Sound and Music as Portent in Twin Peaks’ Season Three. In A. Sanna (Ed.), Critical Essays on Twin Peaks: The Return (pp. 253–268). Springer International Publishing. https://doi.org/10.1007/978-3-030-04798-6_16

Burt, A. T. (2021). “The Thread Will Be Torn”: Sound Design as a Measure of Self-Knowledge in Twin Peaks: Fire Walk With Me. In Music in Twin Peaks. Routledge.

Cardwell, S., Bignell, J., & Donaldson, L. F. (Eds.). (2022). Feeling sound: Audiovisuality and the multisensory in David Lynch’s Twin Peaks - The Return. In Sound / image. Manchester University Press. Feeling sound

Carrión, M. M. (1993). ‘Twin Peaks’ and the Circular Ruins of Fiction: Figuring (Out) the Acts of Reading. Literature/Film Quarterly, 21(4), 240–247. JSTOR. http://www.jstor.org/stable/43798693

Carroll, M. (1993). Agent Cooper’s Errand in the Wilderness: ‘Twin Peaks’ and American Mythology. Literature/Film Quarterly, 21(4), 287–295. JSTOR. http://www.jstor.org/stable/43798699

Charney, M. J. (1991). Invitation to Love: The Influence of Soap Opera on David Lynch’s ‘Twin Peaks’. Studies in Popular Culture, 14(1), 53–59. https://www.jstor.org/stable/23413917

Cherry, B. (2019). ‘The Owls Are Not What They Meme’: Making Sense of Twin Peaks with Internet Memes. In A. Sanna (Ed.), Critical Essays on Twin Peaks: The Return (pp. 69–84). Springer International Publishing. https://doi.org/10.1007/978-3-030-04798-6_5

Cobb, C., & Potter, M. K. (2019). Who Is the Dreamer? In A. Sanna (Ed.), Critical Essays on Twin Peaks: The Return (pp. 237–251). Springer International Publishing. https://doi.org/10.1007/978-3-030-04798-6_15

Coogan, R. (2019). ‘Here’s to the Pie That Saved Your Life, Dougie’: The Weird Realism of Twin Peaks. In A. Sanna (Ed.), Critical Essays on Twin Peaks: The Return (pp. 135–148). Springer International Publishing. https://doi.org/10.1007/978-3-030-04798-6_9

Daniel, A. (2019). Kafka’s Crime Film: Twin Peaks—The Return and the Brotherhood of Lynch and Kafka. In A. Sanna (Ed.), Critical Essays on Twin Peaks: The Return (pp. 221–235). Springer International Publishing. https://doi.org/10.1007/978-3-030-04798-6_14

Davenport, R. (1993). The Knowing Spectator of ‘Twin Peaks’: Culture, Feminism, and Family Violence. Literature/Film Quarterly, 21(4), 255–259. JSTOR. http://www.jstor.org/stable/43798695

Deutsch, H. (1993). Is It Easier to Believe?": Narrative Innocence from Clarissa to" Twin Peaks. Arizona Quarterly: A Journal of American Literature, Culture, and Theory, 49(2), 137–158.

Di Crosta, M. (2019). From television to cinema and back to television again (25 years later) : Twin Peaks’ ambivalent scriptwriting approach. From Television to Cinema and Back to Television Again (25 Years Later) : Twin Peaks’ Ambivalent Scriptwriting Approach, 353–362. https://doi.org/10.26350/001200_000068

DiPaolo, A. (2019). The Politics and Use of Nostalgia in Twin Peaks. The Politics of Twin Peaks, 35.

Ellis, M., & Theus, T. (2019). Is It Happening Again? Twin Peaks and ‘The Return’ of History. In A. Sanna (Ed.), Critical Essays on Twin Peaks: The Return (pp. 23–36). Springer International Publishing. https://doi.org/10.1007/978-3-030-04798-6_2

Fallis, J., & Kyle King, T. (2019). Lucy Finally Understands How Cellphones Work: Ambiguous Digital Technologies in Twin Peaks: The Return and Its Fan Communities. In A. Sanna (Ed.), Critical Essays on Twin Peaks: The Return (pp. 53–68). Springer International Publishing. https://doi.org/10.1007/978-3-030-04798-6_4

Fradley, M., & Riley, J. A. (2019). “I don’t understand how this keeps happening … over and over again”: Trumpism, uncanny repetition, and Twin Peaks: The Return. In Make America Hate Again. Routledge.

Franke, D. (2020). Nostalgia and the Kiss of Ulysses in Twin Peaks. In E.-L. Silva, S. Slote, & D. Van Hulle (Eds.), James Joyce and the Arts (Vol. 29). BRILL. https://doi.org/10.1163/9789004426191

Galow, T. W. (2019). From Lost Highway to Twin Peaks: Representations of Trauma and Transformation in Lynch’s Late Works. In A. Sanna (Ed.), Critical Essays on Twin Peaks: The Return (pp. 201–219). Springer International Publishing. https://doi.org/10.1007/978-3-030-04798-6_13

Garner, R. (2016). “It Is Happening Again”: Paratextuality, ‘Quality’ and Nostalgia in Twin Peaks’s Dispersed Anniversary. Series - International Journal of TV Serial Narratives, 2(2), 41–54. https://doi.org/10.6092/issn.2421-454X/6590

Garner, R. P. (2016). ‘The Series That Changed Television’? ‘Twin Peaks’, ‘Classic’ Status, and Temporal Capital. Cinema Journal, 55(3), 137–142. https://www.jstor.org/stable/44072102

Geller, T. L. (Faculty/Staff). (1992). Deconstructing Postmodern Television in Twin Peaks. https://digital.grinnell.edu/islandora/object/grinnell:3408

George, D. H. (1995). Lynching women: A feminist reading of Twin Peaks. Full of Secrets: Critical Approaches to Twin Peaks, 109–119.

Gillan, J. (2016). Textural Poaching Twin Peaks: The Audrey Horne Sweater Girl GIFs. Series - International Journal of TV Serial Narratives, 2(2), 9–24. https://doi.org/10.6092/issn.2421-454X/6588

GLaubiTz, N., & SchröTEr, J. (2017). Surreal and Surrealist Elements in David Lynch’s Television Series Twin Peaks. Approaching Twin Peaks: Critical Essays on the Original Series.

Guerrero-Pico, M. (2016). Dimensional expansions and shiftings: fan fiction and transmedia storytelling the the Fringeverse. Series - International Journal of TV Serial Narratives, 2(2), 73–85. https://doi.org/10.6092/issn.2421-454X/6593

Guide, T. V. (1995). The peaks and valleys of serial creativity: What happened to/on Twin Peaks. Full of Secrets: Critical Approaches to Twin Peaks, 30.

Hallam, L. (2016). May the Giant Be With You: Twin Peaks Season Two, Episode One and the Television Auteur. Senses of Cinema. http://sensesofcinema.com/2016/twin-peaks/lynch-televison-auteur/

Hallam, L. (2018). Twin Peaks: Fire Walk with Me. Liverpool University Press. https://doi.org/10.2307/j.ctv13840j3

Hallam, L. (2020). Drink Full and Descend: The Horror of Twin Peaks: The Return. NANO: New American Notes Online, 15.

Halskov, A. (2016). “A Marriage Made in Heaven”: The Music of Twin Peaks According to Composer Angelo Badalamenti and Music Editor Lori Eschler Frystak. Series - International Journal of TV Serial Narratives, 2(2), 67–72. https://doi.org/10.6092/issn.2421-454X/6592

Hassler-Forest, D. (2020). ‘When you get there, you will already be there’ Stranger Things, Twin Peaks and the nostalgia industry. Science Fiction Film and Television, 13(2), 175–197. https://muse.jhu.edu/article/760791

Hawkes, J. (2019). Movement in the Box: The Production of Surreal Social Space and the Alienated Body. In A. Sanna (Ed.), Critical Essays on Twin Peaks: The Return (pp. 149–168). Springer International Publishing. https://doi.org/10.1007/978-3-030-04798-6_10

Hayes, M. C., & Boulegue, F. (2013). Fan Phenomena: Twin Peaks. Intellect Books.

Heljakka, K. (2016). Toying with Twin Peaks: Fans, artists and re-playing of a cult-series. Series - International Journal of TV Serial Narratives, 2(2), 25–39. https://doi.org/10.6092/issn.2421-454X/6589

Hills, M. (2016). “I’ll See You Again in 25 Years”: Paratextually Re-commodifying and Revisiting Anniversary Twin Peaks. In J. A. Weinstock & C. Spooner (Eds.), Return to Twin Peaks: New Approaches to Materiality, Theory, and Genre on Television (pp. 193–209). Palgrave Macmillan US. https://doi.org/10.1007/978-1-137-55695-0_11

Hills, M. (2018). Cult TV Revival: Generational Seriality, Recap Culture, and the “Brand Gap” of Twin Peaks: The Return. Television & New Media, 19(4), 310–327. https://doi.org/10.1177/1527476417742976

Hoffman, E., & Grace, D. (2017). Approaching Twin Peaks: Critical Essays on the Original Series. McFarland.

Huskey, M. (1993). ‘Twin Peaks’: Rewriting the Sensation Novel. Literature/Film Quarterly, 21(4), 248–254. JSTOR. http://www.jstor.org/stable/43798694

Irwin, A. (2017). Something very strange in these old woods: The shadowy, dual world of Twin Peaks, twenty-six years later. TLS. Times Literary Supplement, 5961, 19–21. https://go.gale.com/ps/i.do?p=AONE&sw=w&issn=0307661X&v=2.1&it=r&id=GALE|A634850987&sid=googleScholar&linkaccess=abs

Johnson, J. (2015). Pervert in the pulpit: morality in the works of David Lynch. McFarland.

Jowett, L. (2016). Nightmare in Red? Twin Peaks Parody, Homage, Intertextuality, and Mashup. In J. A. Weinstock & C. Spooner (Eds.), Return to Twin Peaks: New Approaches to Materiality, Theory, and Genre on Television (pp. 211–227). Palgrave Macmillan US. https://doi.org/10.1007/978-1-137-55695-0_12

Kabak, M. (2018). Through the Darkness of Future Past’: How Twin Peaks: The Return Transformed Television. https://acikerisim.iku.edu.tr/handle/11413/4254

Kimball, S. (1993). Into the light, Leland, into the light": Emerson, Oedipus, and the Blindness of Male Desire in David Lynch’s" Twin Peaks. Genders, 16, 17–34.

Kohler, A. S. (2021). “Like Some Haunting Melody”: The Laura Palmer Theme in the World of Twin Peaks. In Music in Twin Peaks. Routledge.

Krug, A. (n.d.). I’ll See You Again in Twenty-Five Years: Tibetan Buddhism in David Lynch's Twin Peaks and American Pop Culture in the 90s. Retrieved 8 May 2022, from https://www.academia.edu/37484371/I...win_Peaks_and_American_Pop_Culture_in_the_90s

Lacey, S. (2016). Just Plain Odd: Some Thoughts on Performance Styles in Twin Peaks. Cinema Journal, 55(3), 126–131. https://doi.org/10.1353/cj.2016.0026

Lavery, D. (1993). GUEST EDITORIAL: PEAKED OUT. Literature/Film Quarterly, 21(4), 239–305. JSTOR. http://www.jstor.org/stable/43798692

Lavery, D. (1995). Full of Secrets: Critical Approaches to Twin Peaks. Wayne State University Press.

Ledwon, L. (1993). ‘Twin Peaks’ and the Television Gothic. Literature/Film Quarterly, 21(4), 260–270. JSTOR. http://www.jstor.org/stable/43798696

Lončar, K. (2020). Kafka, Lynch, and Frost—The Trial and Tribulations in Twin Peaks: The Return. New American Notes Online, 15: Twin Peaks: The Return. https://nanocrit.com/issues/issue15...ial-and-Tribulations-in-Twin-Peaks-The-Return

Lowry, E. (2019). Extraterrestrial Intelligences in the Atomic Age: Exploring the Rhetorical Function of Aliens and the ‘Alien’ in the Twin Peaks Universe. In A. Sanna (Ed.), Critical Essays on Twin Peaks: The Return (pp. 37–51). Springer International Publishing. https://doi.org/10.1007/978-3-030-04798-6_3

Lyons, S. (2017). Between Two Worlds: Twin Peaks and the Film/Television Divide. https://opus.lib.uts.edu.au/handle/10453/125726

Mactaggart, A. (2010). The film paintings of David Lynch: Challenging film theory. Intellect Books.

Mactaggart, A. (2020). ‘I am dead yet I live’: Revealing the Enigma of Art in Twin Peaks: The Return. NANO: New American Notes Online, 15, 1–18. https://go.gale.com/ps/i.do?p=AONE&sw=w&issn=21600104&v=2.1&it=r&id=GALE|A688079577&sid=googleScholar&linkaccess=abs

Marshall, K., & Loydell, R. (2019). ‘Listen to the Sounds’: Sound and Storytelling in Twin Peaks: The Return. In A. Sanna (Ed.), Critical Essays on Twin Peaks: The Return (pp. 269–280). Springer International Publishing. https://doi.org/10.1007/978-3-030-04798-6_17

Marshall, K., & Loydell, R. (2021). Sound Design, Music, and The Birth of Evil in Twin Peaks: The Return. In Music in Twin Peaks. Routledge.

McAvoy, D. (2019). ‘Is It About the Bunny? No, It’s Not About the Bunny!’: David Lynch’s Fandom and Trolling of Peak TV Audiences. In A. Sanna (Ed.), Critical Essays on Twin Peaks: The Return (pp. 85–103). Springer International Publishing. https://doi.org/10.1007/978-3-030-04798-6_6

McCarthy, D. (2019). How Mark Frost’s Twin Peaks Books Clarify and Confound the Nature of Reality. In A. Sanna (Ed.), Critical Essays on Twin Peaks: The Return (pp. 169–181). Springer International Publishing. https://doi.org/10.1007/978-3-030-04798-6_11

McEnaney, T. (2021). Diane... The Personal Voice Recorder in Twin Peaks.

McGowan, T. (2016). Lodged in a Fantasy Space: Twin Peaks and Hidden Obscenities. In J. A. Weinstock & C. Spooner (Eds.), Return to Twin Peaks: New Approaches to Materiality, Theory, and Genre on Television (pp. 143–157). Palgrave Macmillan US. https://doi.org/10.1007/978-1-137-55695-0_8

Moldovan, R. (2015). “That Show You Like Might Be Coming Back in Style”: How Twin Peaks Changed the Face of Contemporary Television. American, British and Canadian Studies, 24, 44–68. https://www.ceeol.com/search/article-detail?id=521438

Nickerson, C. (1993). Serial Detection and Serial Killers in ‘Twin Peaks’. Literature/Film Quarterly, 21(4), 271–276. JSTOR. http://www.jstor.org/stable/43798697

Nochimson, M. (1992). Desire under the Douglas firs: Entering the body of reality in" Twin Peaks". Film Quarterly (ARCHIVE), 46(2), 22.

Nochimson, M. P. (2016). Substance Abuse: Special Agent Dale Cooper, “What’s the Matter?” In J. A. Weinstock & C. Spooner (Eds.), Return to Twin Peaks: New Approaches to Materiality, Theory, and Genre on Television (pp. 47–69). Palgrave Macmillan US. https://doi.org/10.1007/978-1-137-55695-0_3

Nochimson, M. P. (2021). Chapter 1 • David Lynch, Twin Peaks. In Chapter 1 • David Lynch, Twin Peaks (pp. 31–61). University of Texas Press. https://doi.org/10.7560/759442-003

Och, D. (2016). All Laura Palmer’s Children:" Twin Peaks" and Gendering the Discourse of Influence. Cinema Journal, 55(3), 131–136.

O’Connor, T. (2004). Bourgeois Myth versus Media Poetry in Prime-time: Re-visiting Mark Frost and David Lynch’s Twin Peaks. Social Semiotics, 14(3), 309–333.

Piatti-Farnell, L. (2016). “That Cherry Pie is Worth a Stop”: Food and Spaces of Consumption in Twin Peaks. In J. A. Weinstock & C. Spooner (Eds.), Return to Twin Peaks: New Approaches to Materiality, Theory, and Genre on Television (pp. 87–104). Palgrave Macmillan US. https://doi.org/10.1007/978-1-137-55695-0_5

Pollard, S. (1993). Cooper, Details, and the Patriotic Mission of ‘Twin Peaks’. Literature/Film Quarterly, 21(4), 296–304. JSTOR. http://www.jstor.org/stable/43798700

Reed, K. M. (2021). The Bang Bang Bar, Silencio, and Lynch’s Audiences: Meaning and Musical Performance in Twin Peaks: The Return. In Music in Twin Peaks. Routledge.

Rife, T. S., & Wheeler, A. N. (2020). “I’ll see you again in 25 years”: doppelganging nostalgia & Twin Peaks: The Return. Critical Studies in Media Communication, 37(5), 424–436. https://doi.org/10.1080/15295036.2020.1807034

Roche, D. (2010). Twin Peaks: Fire Walk With Me (1992) and David Lynch’s Aesthetics of Frustration. Textes & Contextes, 5, https://preo. u-bourgogne. fr/textesetcontextes/index. php? id= 272.

Rosenbaum, J. (1995). Bad ideas: The art and politics of Twin Peaks. Full of Secrets: Critical Approaches to Twin Peaks, 22–29.

Sanna, A. (2019). Entering the World of Twin Peaks. In A. Sanna (Ed.), Critical Essays on Twin Peaks: The Return (pp. 3–21). Springer International Publishing. https://doi.org/10.1007/978-3-030-04798-6_1

Savoy, E. (2016). Jacques Lacan, Walk with Me: On the Letter. In J. A. Weinstock & C. Spooner (Eds.), Return to Twin Peaks: New Approaches to Materiality, Theory, and Genre on Television (pp. 123–141). Palgrave Macmillan US. https://doi.org/10.1007/978-1-137-55695-0_7

Schulenburg, M. (2021). The Music is Not What It Seems: An Examination of Labor and Capital in the Music of Twin Peaks: The Return Series. In Music in Twin Peaks. Routledge.

Shimabukuro, K. (2016). The Mystery of the Woods: ‘Twin Peaks’ and the Folkloric Forest. Cinema Journal, 55(3), 121–125. https://www.jstor.org/stable/44072099

Shoos, D., George, D., & Comprone, J. (1993). Twin Peaks and the Look of Television: Visual Literacy in the Writing Class. Journal of Advanced Composition, 13(2), 459–476. https://www.jstor.org/stable/20865927

Smith, A. N., Goddard, M., & Fairclough, K. (2016). Introduction: Twin Peaks’ persistent cultural resonance. Series - International Journal of TV Serial Narratives, 2(2), 5–8. https://doi.org/10.6092/issn.2421-454X/6587

Spooner, C. (2016). “Wrapped in Plastic”: David Lynch’s Material Girls. In J. A. Weinstock & C. Spooner (Eds.), Return to Twin Peaks: New Approaches to Materiality, Theory, and Genre on Television (pp. 105–120). Palgrave Macmillan US. https://doi.org/10.1007/978-1-137-55695-0_6

Susca, C. (2018). “When you see me again, it won’t be me”. Twin Peaks from the Multichannel Era to the Digital Era. Series - International Journal of TV Serial Narratives, 4(2), 103–110. https://doi.org/10.6092/issn.2421-454X/8362

Sweeney, D. (2019). ‘I’ll Point You to a Better Time/A Safer Place to Be’: Music, Nostalgia and Estrangement in Twin Peaks: The Return. In A. Sanna (Ed.), Critical Essays on Twin Peaks: The Return (pp. 281–296). Springer International Publishing. https://doi.org/10.1007/978-3-030-04798-6_18

Sweeney, D. (2021). ‘Singer’; ‘Girl Singer’; ‘Roadhouse Singer’; ‘Herself’: Julee Cruise in the World of Twin Peaks. In Music in Twin Peaks. Routledge.

Taylor, A. (2021). Twin Peaks and the performative poetics of complex television. In Cognition, Emotion, and Aesthetics in Contemporary Serial Television. Routledge.

Telotte, J. P. (1995). The dis-order of things in Twin Peaks. Full of Secrets: Critical Approaches to Twin Peaks, 160–172.

Telotte, J. P. (2016). “Complementary Verses”: The Science Fiction of Twin Peaks. In J. A. Weinstock & C. Spooner (Eds.), Return to Twin Peaks: New Approaches to Materiality, Theory, and Genre on Television (pp. 161–174). Palgrave Macmillan US. https://doi.org/10.1007/978-1-137-55695-0_9

Tembo, K. D. (2019). Copy of a Copy of a Copy: Theorizing the Triplicity of Self and Otherness in Season Three of Twin Peaks. In A. Sanna (Ed.), Critical Essays on Twin Peaks: The Return (pp. 183–197). Springer International Publishing. https://doi.org/10.1007/978-3-030-04798-6_12

The Politics of Twin Peaks. (n.d.). Retrieved 8 May 2022, from https://rowman.com/ISBN/9781498578394/The-Politics-of-Twin-Peaks

Tobe, R. (2003). Both frightening and familiar: David Lynch’s Twin Peaks and the North American suburb.

Toraman, Z. (2021). “What is Gordon Cole Listening To?”: The Rhetoric of Subjective Sound in Twin Peaks: The Return. In Music in Twin Peaks. Routledge.

Vass, M. (2005). Cinematic meaning in the work of David Lynch; Revisiting Twin Peaks: Fire Walk with Me, Lost Highway, and Mulholland Drive. CineAction, 67, 12–24. https://go.gale.com/ps/i.do?p=LitRC&sw=w&issn=08269866&v=2.1&it=r&id=GALE|A137399400&sid=googleScholar&linkaccess=abs

Vint, S. (2016). “The Owls Are Not What They Seem”: Animals and Nature in Twin Peaks. In J. A. Weinstock & C. Spooner (Eds.), Return to Twin Peaks: New Approaches to Materiality, Theory, and Genre on Television (pp. 71–86). Palgrave Macmillan US. https://doi.org/10.1007/978-1-137-55695-0_4

Voigts-Virchow, E. (2001). ‘Goodbye suspense goodbye’? Postmodern TV Crime in The Singing Detective (1986) and Twin Peaks. 2001, 132–148. http://cinetext.philo.at/magazine/voigts-virchow/suspense_potter_lynch.html

Weinstock, J. A. (2016a). Introduction: “It is Happening Again”: New Reflections on Twin Peaks. In J. A. Weinstock & C. Spooner (Eds.), Return to Twin Peaks: New Approaches to Materiality, Theory, and Genre on Television (pp. 1–25). Palgrave Macmillan US. https://doi.org/10.1007/978-1-137-55695-0_1

Weinstock, J. A. (2016b). Wondrous and Strange: The Matter of Twin Peaks. In J. A. Weinstock & C. Spooner (Eds.), Return to Twin Peaks: New Approaches to Materiality, Theory, and Genre on Television (pp. 29–46). Palgrave Macmillan US. https://doi.org/10.1007/978-1-137-55695-0_2

Welsh, J. (1993a). Lynch By the Book. Literature/Film Quarterly, 21(4), 306–306. JSTOR. http://www.jstor.org/stable/43798702

Welsh, J. (1993b). PEAKING OUT WITH ‘VIDEO WATCHDOG’. Literature/Film Quarterly, 21(4), 304–304. JSTOR. http://www.jstor.org/stable/43798701

West, K. (2021). Listen to the Skins: Drumming and Time in Twin Peaks. In Music in Twin Peaks. Routledge.

Williams, L. R. (2005). Twin Peaks: David Lynch and the Serial-Thriller Soap. In M. Hammond & L. Mazdon (Eds.), The Contemporary Television Series (pp. 37–56). Edinburgh University Press. https://doi.org/10.3366/edinburgh/9780748619009.003.0004

Williams, R. (2016a). Ontological Security, Authorship, and Resurrection: Exploring ‘Twin Peaks’’ Social Media Afterlife. Cinema Journal, 55(3), 143–147. https://www.jstor.org/stable/44072103

Williams, R. (2016b). “No Lynch, No Peaks!”: Auteurism, fan/actor campaigns and the challenges of Twin Peaks’ return(s). Series - International Journal of TV Serial Narratives, 2(2), 55–65. https://doi.org/10.6092/issn.2421-454X/6591

Wilson, S. (2021). David Lynch’s Metaphysical Sound Design: The Acousmatic Personification of Judy. In Music in Twin Peaks. Routledge.

Wissner, R. A. (2021). Chaos and Creation: Music, Redemption, and the Atomic Bomb in Twin Peaks: The Return. In Music in Twin Peaks. Routledge.

Zaniello, T. (1994). Hitched or Lynched: Who Directed ‘Twin Peaks?’ Studies in Popular Culture, 17(1), 55–64. https://www.jstor.org/stable/23413790

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